Fiction's about what it is to be a human being. – David Foster Wallace

Poetry

Wish

What I want is to lie
with my back on the grass,
staring up at the sky
shifting shape with the clouds,
this vision narrowing
to that small sphere of life
out on 491
on the way up to Boone.

I would watch the water
in worn grooves trickle down
along the carved sides of
a cliff where men cut out
the highway. I want to
toss up dust from the ground,
swish my head among weeds,
smell the mist, pen a poem,

both to see and be seen.


And the Word Became Flesh, and Dwelt Among Us

locution to a mirror, the arc
of words returning back (mini
geologic echoes stretching
infinity) unvoid, but lo:
Christus victor, Christus sol.


The World is Coming of Age (or:) Tarzan and Jane

I was young and we climbed trees,
pretending the blades of grass
were a rainforest. For a moment
she hung
in
the air,
almost gracefully fluttering
like another leaf spent of energy,
flung outward from the tree.

We did not have cherry blossoms
where I grew up:
only the dried up carcasses
of leaves, brownish and
miscolored, the rain
ironically mixing them into slush
like the burly forearms of
a butterchurning marm;
a sluice of greenless mud.

It was mid-autumn.

Her fall looked fatal to me,
a descension from near-infinite
height, until the childish pretension
faded: the fall would not kill
– only hurt.

Her chin kissed the top of
a protruding root (it was a French
kiss, the root plunging its
tongue with sensual desire
into the red-brown orifice
where chin-meat used to be),
and she was unmaidened,
perforated in that instant.

Our mothers’ wails outdrowned
her own as they escorted
her to: the restroom.

The last glimpse of her
I had was of a
leaf
, birthed out through the undercarriage
of her jaw, the brown
carcass of a stillborn
summer.


An Audience

The cat was orange
and pitiful, its mewling
subdued but sharp.
It led me across the road,
its head twisting back
every few steps to make
sure I followed.

It had patches of hairless
scabs like kneepads
on its hindlegs,
and wandered into the ruins
of an old trailer home.
Reddish planks seemed
hung on strings of insulation,
waiting to fall inward
with the slightest shrug of wind.
The cat perched up on a stump beside
the dying hovel.

The poor thing didn’t ask for help,
but with a widow’s pride
licked its paw as if to say:
this is my home, little man.
it’s not much, but I have
the ruling of it.

I laughed to myself
and walked away,
the cat’s eyes like a king’s
watching my departure with solemnity.


Hypostatic Union

The very thinkings of God,
his own logic.
What pressure it must have been
to have the Maker contained

in walls of light pink flesh!
The thrum of blood pulsing
through tissue, vessels, heart –
every cell infused with Heaven’s

ether. What a mystery!
What new mystery is this?
The king requiring diapers
and breast milk,

a toddler in swaddling clothes.
The smell of myrrh to mask
the retchings of horses, cattle;
evidence of biology all around.

How fortunate the Man
refused to vibrate away, but
instead insisted on living the
contradiction: to have the Maker

contained in walls of light pink
flesh. And 30 some-odd years
later: what a whooshing sound
it must have made as he left

his flesh behind,
lower case t holding
Truth and meat
combined.


Homeostasis



What are they to me,
the words of old poets
and dead philosophers,
if the internal constancy
of life maintains itself?

Confucius says:______
but what does it matter
if yin
and yang
must be eternally balanced?

The system is closed ?
Then there is no meaning.
The dog barks.
The flowers bloom.
The sun burns.
The people breathe.
Until the sun burns out
and turns cold and the
Earth dissolves into
particulate nothing
and no amount of
spaceships can save us
but just prolong
the inevitable.

And the galaxy sucks
itself in
– a vortex –
and the universe follows
inward
‘til the spinning
mass becomes a point
so infinitesimal,
so pointless,
and all the weight
of all the worlds
in all the universe
presses in, and
there
is
nothing.
Nothing left to bark or bloom,
Nothing left to burn or breathe,

no one to drive the car


Groanings Unspeakable

Feet like hymnals
carry us inevitably
to the same asherahs
as our forebears.

This, too, is vanity
and a striving after wind.

‘For I will visit the iniquities
on the children
and the children’s children
to the third and forth
generations.’

Thus says the Lord.


Shoes

My old ones were cracked apart,
a single faultline running like
a Nike check up both feet.
The soles degenerate and thin.

I bought a new pair today,
the black of them unsoiled felt.
There’s joy in such easy exchange,
though I’ll bet the future will see

these shoes broken on the same planes.
Our gaits are unique as fingerprints.


Gunpoem

unchancelydoes
themanmovetoward
thegrave,

hisfingerscurled
andtensed,except
forone.


Untitled

Bookstores are sacred places:
cemeteries for words,
altars for ideas.
The putrefying corpses
of long-dead writers.
The ink won’t turn
your fingers black.

Is it bad, then,
that I find that stench
much more pleasant
than my own vain scribblings?
The dust of my own thoughts,
ink still wet and sticky on the page.
Useless jotting
in the Face of the masters.


Bundren

i’d a tole him
not to name his son ‘Anse’
because the sounding of it’s
like ants – and ants,

while active, only end
up hugging the ground.
i’d a tole him
that his son would be like the ants

with the hugging. that
a boy named Anse
would work and work and tire,
rubbing off his own toenails

in the frenzy and sweating
out his work ethic
til the fever took him
and he only ever

hugged the ground after,
Anse. ants. ants. anse.
like the sounding of the
trees in a autumn wind,

the sounding of his name.
not the wind
but the trees.
the sounding of his name.

i’d a tole him
that Anse is a boy’s name
and so the boy would
outlive the man

in the one vessel.
that a man-Anse
would only ever
reverse things, turn them over

like coins in his hand,
(or peaches, maybe, or jewels)
and keep the turning like
clockwork. flipping things

on their heads like
the roarings of a mighty
floodriver or the backwash
of silt and timber and horses and wood.

the chile will stagnate
and putrefy, i’d a said.
but he wouldn’ta listened.
he was a Bundren, see,

and all that ilk
are planted upright,
more like a grove than a family:
steadfast, stalwart, unyielding, bound.

i’d a tole him just the same.


On Disinformation

Saul says

books are carefully folded trees.

Well,

I be leave it.


Grandpa (2)… or (1), I guess

He would sit in his chair,
a battered old recliner,
and prop his feet up
not one over the other, but
side by side
(they were wingtips,
nicely polished).

I’d sit in the corner
as the grownups talked
politics and gossip,
religion.
And me in the corner
reading comix.

I didn’t ask my mother
why his anger sat so deep.
She told me willingly,
half-embarassed.
She told me
his childhood:
-how as a little boy
my great(?)grandmother told him
she’d have preferred
miscarriage.
Or, perhaps,
abortion.
-how as a teen, even,
he’d made a rough time of it.
No ego, no esteem;
warring with others,
quitting jobs.
-how the USMC
had saved him,
but only for the Vietnam
atrocities, and (later)
alcohol.
-how he’d lost his family
to the bottle
and ¾ of his heart
to the cigs.

It was years later when
she told me (through cupped hands, whispering)
he thought salvation
a work.
A work for which
he was not cut out.
He thought God a closed-hand man,
fists full of gifts you have to earn.
He thought “God damn”
could ruin the grace.

I understand you better
now you’re gone.
I bit your nose
when I was teething, remember?
at the elephant-circus
where trapeze artists
flew through the air.
I realize now you felt
you had no net.

The smell of your
kitchen still
lingers in my
soul.
I eat the fruit
of your table.


Grandpa

I like to think Nam made him
the way he was. He was a cook then,
as he would be til he died.
Making food for people with expiration dates.
It must be how Death-Row cooks feel
when the time comes for that Last Meal.

That’s what he did, really.
On a mass scale.

It’d mess anyone up,
turn em into brooding,
angry, callous men.
Men with blisters on their souls
and fire in their eyes.
Men in pain.

Which is what he was, while I knew him –
a man in pain.
A man who’d long since lost sight of Grace.

Do you hear me?
Do you understand what I am saying?

A man who believed in a god
more like a lawman than a father.
A god who’d take your prayers in good faith
and then drop you at the first sign of weakness.
Like we were meant to move mountains on our own.

I like to think that Nam made him
the way he was. I like to think
it was all in his circumstances.
Cuz then it’s not in the blood.
Then it’s not genetic, and I can escape the machinery.

Do you hear me?
I feel a pull, and it frightens me
because I’m becoming more and more
like the parts of you
I didn’t like
and less and less like the ones I did.


Riding Alone on a Road – Sept. 2010

Depression is a seatbelt
pressure-strapped to chest
and stomach,

closing lungs,
restricting movement.
A hideous thing. It is

a blanket of frozen air
dully smacking face
and feeling.

Depression
is a prime number,
indivisible, alone.

Depression is a red light,
stalwart defender
of crossroads.

And as the
car careens across
the trafficked intersection,

depression is the vacuum
left when driver flies
through windshield.


Untitled, Oct. 11 2010

have you noticed
how the symbol
for “recycle”
looks like
a Star of David
?

there’s a poem in
there somewhere.
i just don’t know
where.


Guerillas

When they fight
wars, they fight
whosoever they find.


Vaya Con Dios

I squished a caterpillar
in the middle of the road
yesterday. It was slinking
along, tending to itself,

an inch away from the lines
in the middle of the road.
An inch away from freedom.
I saw it too late to stop.


Turns Out Victoria Can’t Really Keep A Secret

She is a girl -
peeling back moderation
in skinfolds, twists
and locks of gently
curling hair,
an overabundance of flesh
and so little fabric.

She is no woman.
She is no icon of revolution,
sexual
or otherwise.

A femme fatale
caught in the tightening recesses
of her own
feminine fatalism, flaunting flesh
with no regard for self.
This is not a freedom-rite.
She bares herself half-willingly
in order to be seen
in order to be bared
and born
- half willfully -
in the minds of others.

It is a postmodern un-clothing
of identity, a de-construction
of self and value
- finding worth not in
what is                   (but rather)
what is projected            (and thus)
what is not.

She is a swirl of tainted prejudices.
She is a ghost. She is a slave.
She is a girl.

She is a victim.


Drunken Night-Owl

We were staring
at some art together,
this stranger and I.

He pointed to some birds
in the painted trees and said:
Man, owls
are like
really significant
in South American shamanism.

I said:
Oh.
and he walked away.


A Patriotic Poem Found in an Army Ad

If you want
Army
to round out
when you graduate,
an Army officer
soldiers
what you
check out:
opportunities.


An Anarchist Poem Found in an Army Ad

Start with
training.
Then
begin your career
leading America’s
limit to
achieve.


Trying to Write a Nature Poem; Waiting on the Muse

In truth, it smells a medley

out here:

pipesmoke, rainwet grass,

rabbit shit scattered pollywog

across the damp gravel driveway,

the carbon footprints of SUVs

driven past on 194

(gas fumes spilling into

the ether).

Bees hop from flower to flower,

cross-pollinating,

unintentional third parties

in an orgy

of stamen and pistil.

I wait for something

interesting

to happen…

some woodland creature

to come up to me,

stand on its spindly hindlegs,

and say “Hello there!

I am Nature. You have experienced me.

Congratulations!”

It doesn’t happen.

Guitar notes reach my ears

from upstairs (noisy

neighbors).

I am still waiting.


Existentialism as Evidence of Mercy

What wonderful fractionalities

pepper our moments!

How strange that such small

insignificances

should butterfly up along

the gradient of time.

Picture this:

My chiropractor aunt,

collecting some coconuts from under the auspices

of palm trees (this is in Puerto Rico),

cracking them open

THWACK

with a machete (their juicysweet guts flowing outward)

under the shelter of some plantain trees

in my grandmother’s garden,

and me

standing there wide-eyed

on the pavement lining the grass,

watching.

I wonder what I would be like

had I not seen that,

had I not been there

for that small moment of familial bonding –

and this when I was still quite young.

Or this fond memory:

me, sitting on an old ripped-out

armchair from ATW’s van,

listening to the creaking of the drumracks

(almost splintered by now)

and wondering which trees were cut

(and from where, exactly?)

in order to make those racks…

trying to listen to the history

of all the things in the room.

The relief comes in seeing

that we have such a

Merciful Mover,

else wouldn’t we have

tornadoed everything by now?


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